– 1985-1995: Conventional artistry like floor painting (alpona) and dhakis alongside vintage posters from Sharad Shamman awards (artist Bikramjit Paul).
– 1995-2005: Social commentary with illustrations of simpler Pujo scenes like balloon sellers and LED light designs on vehicle roofs (Meenakshi Sengupta).
– 2005-2015: Focused on women empowerment and bold depictions breaking traditional depictions (Sayan Mukherjee).
– 2015-2024: Digital influence features selfies or immersive VR views for virtual pandals (Srishti Guptaroy).
Read More: https://www.thehindu.com/life-and-style/kolkata-yellow-taxi-art-sharad-shamman-durga-puja
The Cholte cholte 40 initiative ingeniously blends art and nostalgia to capture kolkata’s evolving spirit while reinvigorating its deep cultural roots tied to Durga Puja festivities. The use of yellow ambassador taxis as artistic time capsules not only revives a fading icon but also transforms them into mobile archives that map transformative socio-cultural shifts over four decades.
From traditional artistry to digitization-driven global recognition-the project highlights how festivals reflect broader societal changes without losing thier essence. On one hand, this artistic endeavor may help preserve collective memory amidst rapid urban modernization; on another hand it exemplifies innovation by effectively using movement (taxi mobility) as a narrative medium that syncs everyday life with the city’s past.
for India at large-this effort underscores how localized traditions can foster broad cultural engagement and serve as showcases for historical preservation techniques infused with contemporary mediums like augmented reality or digital curation spaces. additionally significant collaborations between private players like Asian Paints deepen creative contributions toward public experiences representing community identity transformations comprehensively instead romanticizing versions stagnant artificially