Sankaracharya University Refutes Governor’s Claim on Adi Sankara Photos Ban

IO_AdminAfrica9 hours ago4 Views

Quick Summary:

  • Kerala Governor Rajendra arlekar has alleged that the photograph of Adi Sankara is not allowed to be displayed at the sree Sankaracharya University of Sanskrit.
  • He made these remarks during a public meeting at the Yoga Kshema Sabha State conference on September 20, 2025.
  • The Governor warned against individuals allegedly opposing Sanatana Dharma while pretending to be its protectors.
  • University officials denied these claims, stating that pictures and sculptures of Adi Sankara are prominently displayed across campus, including in the Vice-Chancellor’s office, Registrar’s room, and other important locations.
  • Vice-Chancellor-in-charge K.K. Geethakumary highlighted a large painting series depicting Adi Sankara’s life that was previously showcased in the university library and will soon be relocated for public view after logistical arrangements are completed.

Indian Opinion Analysis:
The allegations by Kerala Governor Rajendra Arlekar have stirred a debate over an issue concerning cultural heritage depiction within an academic institution named after Adi Sankara.While his remarks point toward broader concerns about preserving traditions associated with Sanatana Dharma, they also suggest potential miscommunication or differences in perception between him as chancellor and university authorities on how heritage is visibly honored on campus.

The university management’s response appears thorough in detailing existing displays of respect toward Adi Sankara’s legacy through photographs, sculptures, and paintings stationed throughout its premises. The divergence between the claims could reflect deeper governance challenges or differing interpretations regarding what constitutes adequate acknowledgment of such cultural icons within state-run institutions.

Further clarity from both sides might help resolve any misunderstandings while ensuring such discussions remain focused on constructive dialog rather than unnecessary polarization around cultural sentiments.

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